Praise for Andrea Lee

“Andrea Lee's authority as a writer comes of an unstinting honesty and a style at once simple and yet luminous.”—Susan Richards Shreve, New York Times Book Review

“[Lee] takes us wherever she is, conveying a feeling of place and atmosphere that is the mark of real talent.” —The Washington Post Book World

“[Lee] records what she saw and heard with unassuming delicacy and exactness.” —Newsweek

Select Praise for Red Island House

"This transporting history of an imperfect marriage braids together dramatic episodes, island history and fable, all infused with Lee’s sharp insights into human nature." —People Magazine

"Come for the views, stay for simmering tensions and culture clashes. Lee welcomes readers with lush language, then lays out a dazzling buffet of choices and assumptions that are ripe for questioning." —The New York Times

"A gorgeous narrative that perhaps only Lee could have constructed — an ambitious attempt to use fiction to explore the reality of a world fractured by race and class." —The Washington Post

"Spellbinding! I’m in utter awe of Red Island House. . . . Lee’s exquisitely precise language brings the reader deep into the Malagasy world, both geographically and emotionally, and I never wanted to leave. This book is a marvel." —Elin Hilderbrand

"Red Island House is one of the best novels of the year. A beautifully constructed manifesto on the Black expatriate view of the world, Andrea Lee explores mixed race heritage and inheritance in such an electric, interesting way.” —Kaitlyn Greenidge, author of Libertie

Praise for Lost Hearts in Italy

“A premise worthy of Edith Wharton . . . A singularly stylish writer, Lee has carved out a niche for herself by taking on class, culture, sex—and matrimony—with a clear-eyed candor that can feel thrillingly transgressive.” —Vogue

“Exquisite . . . This is an archetypal tale, but Lee sails it into new realms with her slicing insights into racial, cultural, sexual, and class divides; candid explications of the eroticism of wealth and revenge; and, most stunningly, resplendent descriptions of Italy’s transfixing beauty; haunting, blood-stained past; and steely knowingness. Each enrapturing scene shimmers with sensual, psychological, and historical nuance. Each encounter is choreographed with the deadly elegance and precision of a fencing match.” —Booklist (starred review)

“Lustrous, textured canniness . . . Lee’s prose shimmers so effectively.” —The Philadelphia Inquirer

“Few writers can so swiftly evoke private, familial mythologies or cast a colder eye on the assured and entitled, American and European, black and white. . . . The drama in Lost Hearts in Italy is not one of revenge or comeuppance, but something more real. While it is not without wrenching scenes of power and passion, betrayal and bitterness, the truth that emerges is an adult one of acceptance. Lee is less interested in judgment or condemnation than in evoking something far more subtle: acceptance.” —Newsday

“In chillingly urbane prose, Lee takes the full measure of her character’s folly, as they prove faithless not only to each other but to themselves.” —The New Yorker

“Elegantly structured . . . [Lee] powerfully orchestrates the clash of cultures and wills through the interweaving of her characters’s memories, which build in an emotional crescendo.” —Publishers Weekly

“Features a protagonist who could aptly be described as an anti-heroine: the modern version of a classic Jamesian type, the American innocent abroad . . . One can’t help thinking of James’s Daisy Miller and the enticement of her own Rome sojourn. . . . An astringently probing look at the deep costs of shallowness and the perils of reckless innocence.” —The Wall Street Journal

“With prose as elegant and sharp as a diamond scalpel, Lee examines why people wreck their present lives for motives they can never really explain.” —The Seattle Times

“Lee has a talent for descriptive writing. . . . Pleasing and evocative.” —The New York Times Book Review

“Spicy . . . a can’t-miss summer read . . . When you curl up with an Andrea Lee story, there are guarantees: You know you’ll get first-rate writing that won’t put you to sleep; you’re sure to learn a naughty phrase in Italian, Russian, or French; and you’re definitely going to meet savvy, stylish, globe-trotting sisters who have great careers and even greater sex.” —Essence

“The portraits are incisive, the cultural insights fresh, and the deliquescent prose a pleasure to read. . . . Delicious.” —Library Journal

“Reads like an uber-travelogue for sophisticates who read Vanity Fair and Vogue, who set great store by designer clothes, the very best food, luxury hotels and the insidious glamour of literature and history . . . in lush, lustful sentences of longing . . . [Italy is] passionately constructed for readers who can only dream of such richness.” —The Washington Post