Vera
A Novel
By Carol Edgarian
Read by Kathe Mazur
Table of Contents
About The Book
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie with the injured, orphaned, and starving, Vera and her guileless sister, Pie, are cast adrift. Disregarding societal norms and prejudices, Vera begins to imagine a new kind of life. She collaborates with Tan, her former rival, and forges an unlikely family of survivors, navigating through the disaster together.
“A character-driven novel about family, power, and loyalty, (San Francisco Chronicle), Vera brings to life legendary characters—tenor Enrico Caruso, indicted mayor Eugene Schmitz and boss Abe Ruef, tabloid celebrity Alma Spreckels. This “brilliantly conceived and beautifully realized” (Booklist, starred review) tale of improbable outcomes and alliances takes hold from the first page, with remarkable scenes of devastation, renewal, and joy. Vera celebrates the audacious fortitude of its young heroine, who discovers an unexpected strength in unprecedented times.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie with the injured, orphaned, and starving, Vera and her guileless sister, Pie, are cast adrift. Disregarding societal norms and prejudices, Vera begins to imagine a new kind of life. She collaborates with Tan, her former rival, and forges an unlikely family of survivors, navigating through the disaster together.
“A character-driven novel about family, power, and loyalty, (San Francisco Chronicle), Vera brings to life legendary characters—tenor Enrico Caruso, indicted mayor Eugene Schmitz and boss Abe Ruef, tabloid celebrity Alma Spreckels. This “brilliantly conceived and beautifully realized” (Booklist, starred review) tale of improbable outcomes and alliances takes hold from the first page, with remarkable scenes of devastation, renewal, and joy. Vera celebrates the audacious fortitude of its young heroine, who discovers an unexpected strength in unprecedented times.
Reading Group Guide
This reading group guide for Carol Edgarian’s VERA includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the novel.
Introduction
With a personality akin to a force of nature, young Vera Johnson must navigate a complex world at home and in the corrupt city around her—San Francisco in 1906. Vera straddles two worlds: the glamorous life of her mother, the madam of the city’s most famed bordello, and a difficult but respectable existence with her adopted mother and sister.
The disaster of the great quake gives Vera the opportunity to forge her own identity as things shatter around her. As she struggles to survive and create a new life, she intrepidly casts aside societal norms, gains surprising allies among a legendary cast of characters that includes tenor Enrico Caruso, indicted mayor Eugene Schmitz, and tabloid celebrity Alma Spreckels. From the rubble, Vera and her cohort of fellow survivors carve a new path forward.
Topics & Questions for Discussion
1. Edgarian opens Vera with two quotes about where to look for information or truth. We soon learn that Vera is named for that very thing: truth. Discuss how truth figures in the novel. Does Vera ultimately find it?
2. In the chapter “Birthday,” Vera describes San Francisco, saying, “My city was young, bold, having burned to the ground five times and five times come back richer and more brazen. To know her was to hold in your heart the up-downness of things. Her curves and hollows, her extremes. . . . Her beauty, her trembling. Her greed.” How else would you describe San Francisco—then and now? What is significant about the parallels between the city of San Francisco and the characters in the novel? How does the character of the city change and how does it stay the same?
3. From the outset, Vera and her sister, Pie, are introduced as distinct contrasts in appearance and personality. Pie is considered graceful and modest while Vera is viewed as brusque and headstrong. In what ways do these traits help and hinder each girl through the chaos? Do the girls transform or largely stay the same?
4. Several characters in the novel are real historical figures: Alma de Bretteville, Mayor Eugene Schmitz, Enrico Caruso. Were you familiar with any of them? What effect do the stories of these real figures serve in the novel as a whole and as supporting characters in the fictional world of Vera, Rose, and Tan?
5. Toward the novel’s beginning, Vera states, “I had made it my secret mission to find one adult—one single adult—who could show me how to behave.” Does Vera ever find that adult? In what ways does she have to grow to become that person?
6. What do you think of Morie as a mother figure? Did her fate in the quake alter your feelings toward her in any way?
7. Throughout the book, we encounter themes of hunger, desire, ambition, and possession. In “The Gold House,” Vera and Pie share an exchange: “V, every day you claim you’re starving,” Pie says. “And every day it’s true,” replies Vera. Discuss what these characters desire. In what way are they denied or fulfilled? Discuss how these experiences transform the girls’ perspectives and change them as individuals.
8. Talk about the Haj and what his presence adds to the story. What function does he have in terms of Vera’s growth?
9. What do you make of Vera’s rapport with Mayor Schmitz? The two share several one-on-one conversations and she learns more about him from eavesdropping on his conversations with Rose. How does her perception of him change throughout the novel?
10. For her first fifteen years, Vera lives within a corrupted world of thieves, gamblers, grifters, and political scammers. When the quake levels the city, there is opportunity for a new beginning. How does Vera seize that opportunity to create her own version of morality, different from the one she’d been given? Does the rest of her world follow suit? How does character determine whom she ultimately choses as her family?
11. Vera describes the difference between want and desire: “Want is a ripe peach or a new dress; desire is the pang that keeps you awake at night, as if you’re being chased.” Do you agree? How would you define the difference between these terms? How do some of the other characters—Rose, Tan, Lifang, Alma, Capability, Valentine, Bobby—go about attempting to satisfy their wants and desires? What is the consequence of being left yearning?
12. At first, Tan and Vera are at odds and often take petty jabs at each other, but after the quake, the two become effective business partners and perhaps even friends. Consider how they journey from foes to allies to what we might call “chosen family.” Do you think their relationship would have evolved if there had been no disaster? Why or why not?
13. If we think of Pie as Vera’s opposite, we might consider Lifang her worthy rival. In what ways are the two girls strikingly similar and how does fate treat them differently? Who, ultimately, gets the life she desires? Both girls compete for Rose’s attention, but it seems to Vera that Rose treats Lifang with more open affection. Why might this be the case?
14. In the chapter “Loose Papers,” Vera tells Bobby, “I’m never getting married. . . . But you are.” Why do you think Vera feels this way at this point in the novel? Discuss the relationship between Vera and Bobby.
15. Vera is host to a dazzlingly eclectic cast of characters. Out of the secondary characters, who would you consider your favorite, and why?
16. The final chapter of the book shows Vera reflecting on her past. What does she consider most important in the end? What does this say about her as a person?
Enhance Your Book Club
1. To learn more about the devastation of the 1906 earthquake, visit the rich trove of archives and witness accounts at http://www.sfmuseum.org/.
2. Host a version of Rose’s tea party! Try baking a lemon cake and break out the fancy teacups. You are encouraged to make it boozy.
3. Read Carol Edgarian’s prior novel, Three Stages of Amazement, a contemporary love story set in San Francisco during the 2008 financial collapse.
Introduction
With a personality akin to a force of nature, young Vera Johnson must navigate a complex world at home and in the corrupt city around her—San Francisco in 1906. Vera straddles two worlds: the glamorous life of her mother, the madam of the city’s most famed bordello, and a difficult but respectable existence with her adopted mother and sister.
The disaster of the great quake gives Vera the opportunity to forge her own identity as things shatter around her. As she struggles to survive and create a new life, she intrepidly casts aside societal norms, gains surprising allies among a legendary cast of characters that includes tenor Enrico Caruso, indicted mayor Eugene Schmitz, and tabloid celebrity Alma Spreckels. From the rubble, Vera and her cohort of fellow survivors carve a new path forward.
Topics & Questions for Discussion
1. Edgarian opens Vera with two quotes about where to look for information or truth. We soon learn that Vera is named for that very thing: truth. Discuss how truth figures in the novel. Does Vera ultimately find it?
2. In the chapter “Birthday,” Vera describes San Francisco, saying, “My city was young, bold, having burned to the ground five times and five times come back richer and more brazen. To know her was to hold in your heart the up-downness of things. Her curves and hollows, her extremes. . . . Her beauty, her trembling. Her greed.” How else would you describe San Francisco—then and now? What is significant about the parallels between the city of San Francisco and the characters in the novel? How does the character of the city change and how does it stay the same?
3. From the outset, Vera and her sister, Pie, are introduced as distinct contrasts in appearance and personality. Pie is considered graceful and modest while Vera is viewed as brusque and headstrong. In what ways do these traits help and hinder each girl through the chaos? Do the girls transform or largely stay the same?
4. Several characters in the novel are real historical figures: Alma de Bretteville, Mayor Eugene Schmitz, Enrico Caruso. Were you familiar with any of them? What effect do the stories of these real figures serve in the novel as a whole and as supporting characters in the fictional world of Vera, Rose, and Tan?
5. Toward the novel’s beginning, Vera states, “I had made it my secret mission to find one adult—one single adult—who could show me how to behave.” Does Vera ever find that adult? In what ways does she have to grow to become that person?
6. What do you think of Morie as a mother figure? Did her fate in the quake alter your feelings toward her in any way?
7. Throughout the book, we encounter themes of hunger, desire, ambition, and possession. In “The Gold House,” Vera and Pie share an exchange: “V, every day you claim you’re starving,” Pie says. “And every day it’s true,” replies Vera. Discuss what these characters desire. In what way are they denied or fulfilled? Discuss how these experiences transform the girls’ perspectives and change them as individuals.
8. Talk about the Haj and what his presence adds to the story. What function does he have in terms of Vera’s growth?
9. What do you make of Vera’s rapport with Mayor Schmitz? The two share several one-on-one conversations and she learns more about him from eavesdropping on his conversations with Rose. How does her perception of him change throughout the novel?
10. For her first fifteen years, Vera lives within a corrupted world of thieves, gamblers, grifters, and political scammers. When the quake levels the city, there is opportunity for a new beginning. How does Vera seize that opportunity to create her own version of morality, different from the one she’d been given? Does the rest of her world follow suit? How does character determine whom she ultimately choses as her family?
11. Vera describes the difference between want and desire: “Want is a ripe peach or a new dress; desire is the pang that keeps you awake at night, as if you’re being chased.” Do you agree? How would you define the difference between these terms? How do some of the other characters—Rose, Tan, Lifang, Alma, Capability, Valentine, Bobby—go about attempting to satisfy their wants and desires? What is the consequence of being left yearning?
12. At first, Tan and Vera are at odds and often take petty jabs at each other, but after the quake, the two become effective business partners and perhaps even friends. Consider how they journey from foes to allies to what we might call “chosen family.” Do you think their relationship would have evolved if there had been no disaster? Why or why not?
13. If we think of Pie as Vera’s opposite, we might consider Lifang her worthy rival. In what ways are the two girls strikingly similar and how does fate treat them differently? Who, ultimately, gets the life she desires? Both girls compete for Rose’s attention, but it seems to Vera that Rose treats Lifang with more open affection. Why might this be the case?
14. In the chapter “Loose Papers,” Vera tells Bobby, “I’m never getting married. . . . But you are.” Why do you think Vera feels this way at this point in the novel? Discuss the relationship between Vera and Bobby.
15. Vera is host to a dazzlingly eclectic cast of characters. Out of the secondary characters, who would you consider your favorite, and why?
16. The final chapter of the book shows Vera reflecting on her past. What does she consider most important in the end? What does this say about her as a person?
Enhance Your Book Club
1. To learn more about the devastation of the 1906 earthquake, visit the rich trove of archives and witness accounts at http://www.sfmuseum.org/.
2. Host a version of Rose’s tea party! Try baking a lemon cake and break out the fancy teacups. You are encouraged to make it boozy.
3. Read Carol Edgarian’s prior novel, Three Stages of Amazement, a contemporary love story set in San Francisco during the 2008 financial collapse.
About The Author
Photo credit: Lucy Jenks
Carol Edgarian
New York Times bestselling author Carol Edgarian’s novels include Vera, Three Stages of Amazement, and Rise the Euphrates. Her essays and articles regularly appear in national magazines and anthologies, and she is editor of The Writer’s Life: Intimate Thoughts on Work, Love, Inspiration, and Fame. She is cofounder and editor of Narrative, a leading digital publisher of fiction, poetry, essays and art, and Narrative in the Schools, which provides free reading and writing resources to students and teachers in nineteen countries. She lives in San Francisco with her family.
About The Reader
Kathe Mazur
Product Details
- Publisher: Simon & Schuster Audio (March 2, 2021)
- Runtime: 10 hours and 12 minutes
- ISBN13: 9781797118963
Raves and Reviews
"Narrator Kathe Mazur carefully crafts the diverse characters in this entertaining novel. Her accents—which range from Swedish to Viennese—add to the audiobook's appeal. A talented mimic, Mazur cleverly shades the various female characters' voices. Her commanding portrayal of Rose, the absentee mother of the title character and madam of an eponymous brothel, reveals the powerful woman at her most vulnerable during the days after the 1906 San Francisco earthquake. Mazur's rendition of whip-smart 15-year old Vera captures her ability to see all sides of people, good and bad. Listeners will vividly imagine turn-of-the-century San Francisco, replete with scoundrels and kindly prostitutes. All are enlivened by the engaging Vera, a survivor who tells her own story."
– AudioFile Magazine
Resources and Downloads
High Resolution Images
- Book Cover Image (jpg): Vera Unabridged Audio Download 9781797118963
- Author Photo (jpg): Carol Edgarian Photo credit: Lucy Jenks(0.1 MB)
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