Table of Contents
About The Book
For the first printing only! This hardcover features sprayed edges while the special edition supply lasts.
An ordinary girl’s longing to return to the way things were sets off a chain of events that lands her and her best friend in the Underwild in this “captivating” (Kirkus Reviews, starred review) second book in the New York Times bestselling middle grade fantasy series The Underwild.
The best ways Anya knows how to cope with the struggles life throws her way is to keep her head down, stay invisible, and stick close to her best friend, Lizzie. Lizzie has been Anya’s rock since second grade. Together, they pretend the world away. But when Lizzie moves out of state, Anya is left adrift and desperately lonely.
One day, Anya follows a strange girl home from school and is shocked to see her go into the home of the woman who everyone in town swears is a witch. As Anya spies on the pair, she realizes the woman really does have magic—including a set of magical keys that can deliver you anywhere you want to go…keys that could reunite Anya with Lizzie. Anya has seen all she needs to; as soon as she has the chance, she steals the keys.
But magic always has a price. The keys do bring Anya to Lizzie, but then the girls are transported to the dark and chaotic world of the Underwild. Before long, Lizzie is snatched away by a terrible creature! Now wracked with guilt and paralyzed by fear, Anya has no choice but to trust the odd girl from school, Senka, when she unexpectedly shows up and offers to help. But can Anya find the bravery locked away deep inside herself in time to rescue her friend?
An ordinary girl’s longing to return to the way things were sets off a chain of events that lands her and her best friend in the Underwild in this “captivating” (Kirkus Reviews, starred review) second book in the New York Times bestselling middle grade fantasy series The Underwild.
The best ways Anya knows how to cope with the struggles life throws her way is to keep her head down, stay invisible, and stick close to her best friend, Lizzie. Lizzie has been Anya’s rock since second grade. Together, they pretend the world away. But when Lizzie moves out of state, Anya is left adrift and desperately lonely.
One day, Anya follows a strange girl home from school and is shocked to see her go into the home of the woman who everyone in town swears is a witch. As Anya spies on the pair, she realizes the woman really does have magic—including a set of magical keys that can deliver you anywhere you want to go…keys that could reunite Anya with Lizzie. Anya has seen all she needs to; as soon as she has the chance, she steals the keys.
But magic always has a price. The keys do bring Anya to Lizzie, but then the girls are transported to the dark and chaotic world of the Underwild. Before long, Lizzie is snatched away by a terrible creature! Now wracked with guilt and paralyzed by fear, Anya has no choice but to trust the odd girl from school, Senka, when she unexpectedly shows up and offers to help. But can Anya find the bravery locked away deep inside herself in time to rescue her friend?
Excerpt
Chapter One: The Enchanted Garden CHAPTER ONE THE ENCHANTED GARDEN
Time stamp: Four days earlier
I SLIP THROUGH THE CROWD, gripping the strap of my backpack as I make my way to my locker. Head down, I walk around the girls who cluster together like cackling witches, then sidestep the group of kids who form an immovable island within the rushing stream of students, their booms of “No way!” and “Yeah, dude!” making me flinch. I merge with the flow of other kids circumventing them, dodging the elbows of those frantically shoving things into their lockers, then hopping aside when someone pushes their way through the crowd in their haste to rush home.
It’s always like this—me, trying not to bump into any of my classmates as they do their best to make it impossible for anyone to walk around them. Sometimes I wish I could glide through crowds like a ghost. I’m already practically invisible to them, so it wouldn’t be too much of a stretch to become a ghost entirely. I shrink a little more and squeeze through the gaps between my classmates. The scent of vanilla lip balm wafts by me as I pass by the popular girls, followed by the foul stench of forgotten gym socks as I walk past a boy’s locker.
I meet eyes with a girl I used to be friends with—Lauren. She quickly looks away, then turns her back to me while her friends give me the side-eye. My cheeks burn. I don’t blame Lauren for not wanting anything to do with me, not after she left my house shaking and in tears a few years ago. That was the last time we ever spoke.
Someone screeches and my shoulders jump to my ears. Heartbeat rabbiting in my chest, I glance around. The sound came from the group of people behind me—it is only a girl laughing at something her friend is showing her on her phone. Someone jostles me, and I snap out of it.
I tell myself it is okay, everything is okay.
A locker crashes shut. I jump, clutching onto my backpack straps as if they were a lifeline. My muscles lock as more kids shout around me, slamming their locker doors as they rush off to the bus or to wherever they go after the final bell rings. I stand, trembling, a tiny boat tossed in a sea of running kids, and try not to shrivel into myself. It’s all too loud, too fast, too much.
“Hey, Anya! You okay?”
I latch onto my best friend’s voice and turn to see her hurrying to my side. Her blue-tipped hair falls across her eyes as she reaches out, cupping my elbow. The ice holding me in place melts a little. Lizzie, my best friend since second grade, smiles at me, her silvery braces gleaming in the fluorescent lights.
“Yeah.” I uncurl my fingers from my backpack strap. “Yeah, I’m okay.”
“Come on, let’s get our stuff and walk home.”
I focus on the enamel pins on her denim jacket as she presses close to my side. There’s one with the name of her favorite K-pop band, and a pin of the band’s youngest member wearing his signature floral blazer. Next to these is a lavender heart pin with the word borahae that I bought her for her birthday. Lizzie had once told me that borahae is a phrase coined by one of the band members. In Korean, it translates to “I purple you,” which means “I’ll love you until the end of days.” I thought it was the perfect gift.
I take in these familiar things as she guides me through the trio of boys standing like roadblocks in our path, then past a girl with ink-dark freckles, her head bent toward a Black girl holding a stack of what looks like sheet music as they chatter away.
“Coming through!” Lizzie crows. Amazingly, everyone steps aside. Lizzie has a knack for making people see her. I wish I had that skill. Well, no I don’t—I’m perfectly happy remaining invisible.
Invisibility means they won’t notice me at all.
I am glad to have Lizzie, though. One of us needs to be able to function around others. And that definitely isn’t me.
Lizzie’s locker is right next to mine, which is yet more proof that the universe brought us together for a reason. It was kinda the same in second grade. When Lizzie first moved to Portland, Oregon, our teacher placed her at the desk next to mine. During reading time, Lizzie pulled a book from her backpack, and I couldn’t help myself from blurting out that The House of Haunts was my favorite book. I had it with me that day too, so I held my copy up to prove it. Lizzie said she’d already read it three times, and I admitted I’d only read it twice. Still, we grinned at each other as if we shared the biggest secret in the universe.
We’ve been best friends ever since.
“Do you want to go to our park today?” I swing my backpack to my front so I can stuff my English Language Arts folder into the biggest pocket—we’re studying Greek mythology and all the handouts have added about two extra pounds of weight. My heart is still racing, but the panic has dwindled. Now that Lizzie is by my side, I feel like everything will be fine and I’m exactly where I need to be. I touch the battered notebook I have hidden in the same pocket, tucked beside a library book—it’s a secret notebook I’ve been filling for months, and I just finished writing the last story in class. Lizzie doesn’t know about this notebook, not yet. I take a deep breath, telling myself that today is the day I’ll show it to her—but not right now. School is completely the wrong place to share what I’ve written.
Lizzie glances at me from the corner of her eye. “What is it?”
I realize I’ve been standing with my hand in my backpack for far too long. I quickly withdraw it and zip up the pocket. “Oh, well, I found a book on trees at the school library today, so we can look up what kind of tree shades our park.” We’ve called the park located halfway between Lizzie’s house and mine “our park” since we were little. “Did you know that dendrology means the study and identification of woody plants, while botany is the study of all types of plants?”
“Huh, that’s cool,” Lizzie says distractedly.
Glancing at her, I catch her mouth dipping in a frown. “What is it? Are you okay? Did I say something wrong?”
Lizzie looks at me, her lips hooking up at the corners, but there’s a wobble to them. “No, of course not. Sorry, I’m just thinking about something.” She shuts her locker quietly. It is really hard to close a locker without making noise, but I know she tries just for me. “Hey, how about we just walk the long way to my house today? I kinda need to get home, but I can take a little more time getting there.”
“Oh.” I blink, mentally checking that it is Monday, and Mondays are the days we can spend our after-school hours hanging out at our park. My stomach twists a little, wondering why the sudden change—Lizzie would never normally back out of plans without telling me first, and it’s not like her to get serious like this. “Um, sure, of course.”
With minimal clanging, I close my locker and sling my backpack onto my shoulders. Then I follow Lizzie, dread rising with every step.
The other kids have cleared out, so it is much less of a battle to exit Mountain Heights Middle School. We take up the whole sidewalk, our shoulders bumping as we walk together. I fiddle with my friendship bracelet as I wait for her to say what’s on her mind. Lizzie has a matching bracelet—we made them together last summer. As the silence stretches on, the books seem to weigh more heavily in my backpack, as does my worry.
Soon, Lizzie diverts from the concrete sidewalk and onto a grassy trail. It’s the little-known path we take as the “long” way to Lizzie’s house—both to avoid our classmates who stick to the main sidewalks and also to see if we can catch a glimpse of the local witch who lives in a cottage down the lane.
None of the other kids dare take this path because of the rumors about the witch. It makes me like it even more.
The lady isn’t really a witch, I don’t think. But Lizzie and I would like to believe she is—the good kind, I mean. Who else would have a seemingly enchanted garden filled with pumpkins, fruit trees, and cabbages as big as my head? When we were in second grade, we’d pretend we were part of the witch’s coven, and with a single spell we could banish our problems and turn those who had done us wrong into frogs. In those days, my brother was often the frog, but I never told Lizzie why. She never asked. She has a younger sister who annoys her sometimes, so maybe she understood in her own way.
I’ve never seen the witch-lady up close, but I have caught a glimpse of her. Lizzie wasn’t with me that time, though. It was an evening when Lizzie was already at home, having dinner with her family, and I needed to get away from mine. At my house, my parents’ shouts rattled the walls and my brother was looking to take out his anger on someone…. But never mind about that.
That night, I’d been walking down this same path. When I approached the gates to the garden, I saw a sudden flash of light from the corner of my eye. I scuttled into the shadows of a nearby tree, worried that it was my brother out looking for me. It wasn’t him, though.
Instead, the witch stood in the middle of her garden. I was surprised to see that she wasn’t old-old, and she had long, dark hair that fell to her waist. There was a gleam surrounding her, as if moonlight had been caught in a jump rope at its highest point. In a flash of brilliance, she was gone. Vanished, like something my mind made up to nudge out all the problems I wanted to forget.
When I told Lizzie what I’d witnessed, I could tell she wasn’t sure if she should believe me. It’s okay, though, I barely believe it myself.
Even though I’ve never said it out loud, I love walking past the garden, where Lizzie and I can make up stories about the witch-lady who lives there. We used to wonder if she’d bake us in her oven or brick us in a tall, tall tower if we dared eat her greens. Once, Lizzie went right into the garden to see if the giant, glossy pumpkins were real. I was terrified she’d get caught, but even more terrified of what would happen to her if she did. I couldn’t abandon her, so I shout-whispered for her to come back to me while I stood with my sneakers firmly outside the fence line. Lizzie did scramble her way back to me, eventually. We ran away shriek-giggling, while I thought my heart would burst from my chest. I was so scared for her, but also so proud? I could never be as bold as Lizzie. Ever.
As we ran home, her eyes were wide as pancakes, shining with wonder. “The pumpkins, Anya! They sparkle, like they’ve been dipped in glitter!”
She told me of all the wondrous things she saw up close in that enchanted garden. Things I knew in my heart I would never see for myself.
Lizzie has always been the brave one. I’m the coward.
I follow Lizzie, kicking up dirt with my faded sneakers while the nearly-autumn breeze runs its fingers through my hair. This is my favorite time of year, when the heat isn’t too horrible and you can feel the promise of coolness coming on right before the sun sets behind the trees, letting you know that fall is tiptoeing ever closer. I shoot side-glances at Lizzie, wondering what it is that’s weighing on her mind right now. Are her grandparents okay? I know Lizzie had said she was going to visit them soon, so maybe that plan changed? It wouldn’t explain why she needs to go home so early today, though. As I wrangle the courage to ask her what’s going on, she gestures at something and says, “Do you think I’ll finally get to see her today?”
Swiveling my head, I look in the direction she’s pointing. It’s the witch’s house, the garden as green and vibrant as a painting. Before I can stop her, Lizzie is walking right up to the witch’s property line.
“Lizzie, no! Wait!” I’m already breathless, fear squeezing my chest as she strides up to the gate.
But she doesn’t go through it. Instead, she leans against the little fence surrounding the garden and stares at the swirling leaves of lettuces and curlicue vines from the bright orange pumpkins. “Please come out so I can meet you, before it’s too late,” she whispers, staring longingly at the house. “I need you to grant a wish or cast a spell, or… or something.”
I stand next to her, shifting from foot to foot. I’m not sure I want to get any closer to the garden, or to the witch. I glance nervously at the house, with its white curtains hiding whatever’s inside. “Lizzie, what’s going on? Why do you want to see the witch so badly?”
She inhales slowly, as if preparing herself for whatever words she’s about to unleash. “Because it’s my last chance.”
I stop fidgeting and squeak a nervous laugh. “What do you mean? We can try again on a different day.”
“No, Anya, we can’t. I’m moving.” Lizzie lays her cheek against the fence post. Her blueberry-tipped hair falls from her eyes, exposing the tears now rolling down her cheeks. “My parents are getting a divorce, and they’re both moving back to California. Mom is taking me to my halmeoni’s early while they settle some things here. We’re leaving tomorrow.”
A buzzing sounds between my ears. I could swear she just said she was leaving for her grandma’s house, which is in Irvine, California, and so very far away. “No. You can’t.” The words slip from me before I think them through. “I mean, what?”
If I was writing this story, I’d have Lizzie turn to me and laugh, saying it was a joke, that she said it to see how I’d react, as if my misery would prove to her how much I care. But this isn’t one of my secret stories, and I don’t have the power to change Lizzie’s future, much less my own.
I watch, breathless, as Lizzie’s eyes fill with truthful, heart-wrenching tears. She snuffles and wipes her nose on her jacket’s sleeve. “I know, right? My parents only told me this morning. Apparently, they didn’t want to ‘upset me too soon.’?” She claws out the air quotes, then lets her hands fall to her sides where they swing, defeated. “Like that went over well.”
I didn’t know her parents weren’t happy together. It makes no sense at all—they never fight, are always there for Lizzie and her little sister, and her dad makes pancakes on weekends. From scratch! So why are they getting a divorce and making Lizzie move away? Heat builds behind my eyes. My instinct is to run and hide, to get away from the overwhelming pain of it all. Lizzie will be gone and I will be alone and I’m so, so scared, but I can’t find any words to express my feelings and they all seem too big anyway. I’m afraid if I open my mouth to let them out they will squeeze together into one big, long wail.
But I can’t run from Lizzie—I’ve always run to her whenever I needed her. And right now, she needs me. So I press all these feelings deep inside me, clamping them down where they can’t be seen or heard, and reach for her hand.
Before my fingers graze hers, Lizzie straightens up. “Anya, look!”
I dart a glance at the house, where Lizzie is laser-focused. I’m not sure what she wants me to see, but then I notice the curtain on the front window twitch. Hovering lights glow behind the gauzy fabric. I blink, and the lights disappear.
I back into the shadows of a nearby tree. “Was it her? Did you see her?”
“I saw…” Lizzie blinks. “No, it couldn’t have been, I’m imagining things.” Her phone buzzes. She pulls it from her pocket, and when she reads the screen, her face falls. “Ugh. It’s my mom. I have to get home, like, now.”
She straightens up and hooks her arm through my elbow. “I know this is really sudden. I would have told you earlier but I was so angry, and I hoped my parents would text me to tell me that they changed their minds. I didn’t want to say it aloud and make it true, but I know that I can’t stop it.”
I have no words. They clump together, forming a sticky ball in my throat. What can I say, anyway? No mere words can make this situation any better. Instead, I throw my arms around her and hug her as tightly as I can, wishing I never had to let go.
Lizzie huffs a laugh, then leans her cheek against my forehead. “I’m gonna miss you so much, Anya. I promise, we’ll talk on the phone every night.”
I nod, but my tongue turns to ash. I don’t have my own phone, and there’s no way my parents would let me use one of theirs to talk to Lizzie for any length of time. Deep in my heart I know this is a real goodbye, one that lasts forever. I would do anything to keep her close, but I can’t rewrite this story so we can spend every day together.
“Walk me home, okay?” Gently, Lizzie pulls me along beside her. “I know my mom wants to say goodbye to you too.”
I curl into her, my best friend, my only friend. My friend who is leaving in the morning. I don’t know how I’ll hold myself together, but I know I need to, for Lizzie’s sake. I’ll be a blubbering mess tonight once the lights are out, once I’m alone. I’m always alone whenever Lizzie isn’t around, and even more invisible than usual.
I thought the Curse of Anya had finally been broken, that enough time had passed that my friendship with Lizzie was safe. Oh, I was so wrong. It was just biding its time, waiting for the moment when it would crush me the most.
As we stride away, I look over my shoulder at the witch’s house, squinting against the sun’s glare. For a heartbeat, I swear I see someone peeking out from the curtains.
It’s a girl with ink-dark freckles, and brightly glowing moths surrounding her.
Time stamp: Four days earlier
I SLIP THROUGH THE CROWD, gripping the strap of my backpack as I make my way to my locker. Head down, I walk around the girls who cluster together like cackling witches, then sidestep the group of kids who form an immovable island within the rushing stream of students, their booms of “No way!” and “Yeah, dude!” making me flinch. I merge with the flow of other kids circumventing them, dodging the elbows of those frantically shoving things into their lockers, then hopping aside when someone pushes their way through the crowd in their haste to rush home.
It’s always like this—me, trying not to bump into any of my classmates as they do their best to make it impossible for anyone to walk around them. Sometimes I wish I could glide through crowds like a ghost. I’m already practically invisible to them, so it wouldn’t be too much of a stretch to become a ghost entirely. I shrink a little more and squeeze through the gaps between my classmates. The scent of vanilla lip balm wafts by me as I pass by the popular girls, followed by the foul stench of forgotten gym socks as I walk past a boy’s locker.
I meet eyes with a girl I used to be friends with—Lauren. She quickly looks away, then turns her back to me while her friends give me the side-eye. My cheeks burn. I don’t blame Lauren for not wanting anything to do with me, not after she left my house shaking and in tears a few years ago. That was the last time we ever spoke.
Someone screeches and my shoulders jump to my ears. Heartbeat rabbiting in my chest, I glance around. The sound came from the group of people behind me—it is only a girl laughing at something her friend is showing her on her phone. Someone jostles me, and I snap out of it.
I tell myself it is okay, everything is okay.
A locker crashes shut. I jump, clutching onto my backpack straps as if they were a lifeline. My muscles lock as more kids shout around me, slamming their locker doors as they rush off to the bus or to wherever they go after the final bell rings. I stand, trembling, a tiny boat tossed in a sea of running kids, and try not to shrivel into myself. It’s all too loud, too fast, too much.
“Hey, Anya! You okay?”
I latch onto my best friend’s voice and turn to see her hurrying to my side. Her blue-tipped hair falls across her eyes as she reaches out, cupping my elbow. The ice holding me in place melts a little. Lizzie, my best friend since second grade, smiles at me, her silvery braces gleaming in the fluorescent lights.
“Yeah.” I uncurl my fingers from my backpack strap. “Yeah, I’m okay.”
“Come on, let’s get our stuff and walk home.”
I focus on the enamel pins on her denim jacket as she presses close to my side. There’s one with the name of her favorite K-pop band, and a pin of the band’s youngest member wearing his signature floral blazer. Next to these is a lavender heart pin with the word borahae that I bought her for her birthday. Lizzie had once told me that borahae is a phrase coined by one of the band members. In Korean, it translates to “I purple you,” which means “I’ll love you until the end of days.” I thought it was the perfect gift.
I take in these familiar things as she guides me through the trio of boys standing like roadblocks in our path, then past a girl with ink-dark freckles, her head bent toward a Black girl holding a stack of what looks like sheet music as they chatter away.
“Coming through!” Lizzie crows. Amazingly, everyone steps aside. Lizzie has a knack for making people see her. I wish I had that skill. Well, no I don’t—I’m perfectly happy remaining invisible.
Invisibility means they won’t notice me at all.
I am glad to have Lizzie, though. One of us needs to be able to function around others. And that definitely isn’t me.
Lizzie’s locker is right next to mine, which is yet more proof that the universe brought us together for a reason. It was kinda the same in second grade. When Lizzie first moved to Portland, Oregon, our teacher placed her at the desk next to mine. During reading time, Lizzie pulled a book from her backpack, and I couldn’t help myself from blurting out that The House of Haunts was my favorite book. I had it with me that day too, so I held my copy up to prove it. Lizzie said she’d already read it three times, and I admitted I’d only read it twice. Still, we grinned at each other as if we shared the biggest secret in the universe.
We’ve been best friends ever since.
“Do you want to go to our park today?” I swing my backpack to my front so I can stuff my English Language Arts folder into the biggest pocket—we’re studying Greek mythology and all the handouts have added about two extra pounds of weight. My heart is still racing, but the panic has dwindled. Now that Lizzie is by my side, I feel like everything will be fine and I’m exactly where I need to be. I touch the battered notebook I have hidden in the same pocket, tucked beside a library book—it’s a secret notebook I’ve been filling for months, and I just finished writing the last story in class. Lizzie doesn’t know about this notebook, not yet. I take a deep breath, telling myself that today is the day I’ll show it to her—but not right now. School is completely the wrong place to share what I’ve written.
Lizzie glances at me from the corner of her eye. “What is it?”
I realize I’ve been standing with my hand in my backpack for far too long. I quickly withdraw it and zip up the pocket. “Oh, well, I found a book on trees at the school library today, so we can look up what kind of tree shades our park.” We’ve called the park located halfway between Lizzie’s house and mine “our park” since we were little. “Did you know that dendrology means the study and identification of woody plants, while botany is the study of all types of plants?”
“Huh, that’s cool,” Lizzie says distractedly.
Glancing at her, I catch her mouth dipping in a frown. “What is it? Are you okay? Did I say something wrong?”
Lizzie looks at me, her lips hooking up at the corners, but there’s a wobble to them. “No, of course not. Sorry, I’m just thinking about something.” She shuts her locker quietly. It is really hard to close a locker without making noise, but I know she tries just for me. “Hey, how about we just walk the long way to my house today? I kinda need to get home, but I can take a little more time getting there.”
“Oh.” I blink, mentally checking that it is Monday, and Mondays are the days we can spend our after-school hours hanging out at our park. My stomach twists a little, wondering why the sudden change—Lizzie would never normally back out of plans without telling me first, and it’s not like her to get serious like this. “Um, sure, of course.”
With minimal clanging, I close my locker and sling my backpack onto my shoulders. Then I follow Lizzie, dread rising with every step.
The other kids have cleared out, so it is much less of a battle to exit Mountain Heights Middle School. We take up the whole sidewalk, our shoulders bumping as we walk together. I fiddle with my friendship bracelet as I wait for her to say what’s on her mind. Lizzie has a matching bracelet—we made them together last summer. As the silence stretches on, the books seem to weigh more heavily in my backpack, as does my worry.
Soon, Lizzie diverts from the concrete sidewalk and onto a grassy trail. It’s the little-known path we take as the “long” way to Lizzie’s house—both to avoid our classmates who stick to the main sidewalks and also to see if we can catch a glimpse of the local witch who lives in a cottage down the lane.
None of the other kids dare take this path because of the rumors about the witch. It makes me like it even more.
The lady isn’t really a witch, I don’t think. But Lizzie and I would like to believe she is—the good kind, I mean. Who else would have a seemingly enchanted garden filled with pumpkins, fruit trees, and cabbages as big as my head? When we were in second grade, we’d pretend we were part of the witch’s coven, and with a single spell we could banish our problems and turn those who had done us wrong into frogs. In those days, my brother was often the frog, but I never told Lizzie why. She never asked. She has a younger sister who annoys her sometimes, so maybe she understood in her own way.
I’ve never seen the witch-lady up close, but I have caught a glimpse of her. Lizzie wasn’t with me that time, though. It was an evening when Lizzie was already at home, having dinner with her family, and I needed to get away from mine. At my house, my parents’ shouts rattled the walls and my brother was looking to take out his anger on someone…. But never mind about that.
That night, I’d been walking down this same path. When I approached the gates to the garden, I saw a sudden flash of light from the corner of my eye. I scuttled into the shadows of a nearby tree, worried that it was my brother out looking for me. It wasn’t him, though.
Instead, the witch stood in the middle of her garden. I was surprised to see that she wasn’t old-old, and she had long, dark hair that fell to her waist. There was a gleam surrounding her, as if moonlight had been caught in a jump rope at its highest point. In a flash of brilliance, she was gone. Vanished, like something my mind made up to nudge out all the problems I wanted to forget.
When I told Lizzie what I’d witnessed, I could tell she wasn’t sure if she should believe me. It’s okay, though, I barely believe it myself.
Even though I’ve never said it out loud, I love walking past the garden, where Lizzie and I can make up stories about the witch-lady who lives there. We used to wonder if she’d bake us in her oven or brick us in a tall, tall tower if we dared eat her greens. Once, Lizzie went right into the garden to see if the giant, glossy pumpkins were real. I was terrified she’d get caught, but even more terrified of what would happen to her if she did. I couldn’t abandon her, so I shout-whispered for her to come back to me while I stood with my sneakers firmly outside the fence line. Lizzie did scramble her way back to me, eventually. We ran away shriek-giggling, while I thought my heart would burst from my chest. I was so scared for her, but also so proud? I could never be as bold as Lizzie. Ever.
As we ran home, her eyes were wide as pancakes, shining with wonder. “The pumpkins, Anya! They sparkle, like they’ve been dipped in glitter!”
She told me of all the wondrous things she saw up close in that enchanted garden. Things I knew in my heart I would never see for myself.
Lizzie has always been the brave one. I’m the coward.
I follow Lizzie, kicking up dirt with my faded sneakers while the nearly-autumn breeze runs its fingers through my hair. This is my favorite time of year, when the heat isn’t too horrible and you can feel the promise of coolness coming on right before the sun sets behind the trees, letting you know that fall is tiptoeing ever closer. I shoot side-glances at Lizzie, wondering what it is that’s weighing on her mind right now. Are her grandparents okay? I know Lizzie had said she was going to visit them soon, so maybe that plan changed? It wouldn’t explain why she needs to go home so early today, though. As I wrangle the courage to ask her what’s going on, she gestures at something and says, “Do you think I’ll finally get to see her today?”
Swiveling my head, I look in the direction she’s pointing. It’s the witch’s house, the garden as green and vibrant as a painting. Before I can stop her, Lizzie is walking right up to the witch’s property line.
“Lizzie, no! Wait!” I’m already breathless, fear squeezing my chest as she strides up to the gate.
But she doesn’t go through it. Instead, she leans against the little fence surrounding the garden and stares at the swirling leaves of lettuces and curlicue vines from the bright orange pumpkins. “Please come out so I can meet you, before it’s too late,” she whispers, staring longingly at the house. “I need you to grant a wish or cast a spell, or… or something.”
I stand next to her, shifting from foot to foot. I’m not sure I want to get any closer to the garden, or to the witch. I glance nervously at the house, with its white curtains hiding whatever’s inside. “Lizzie, what’s going on? Why do you want to see the witch so badly?”
She inhales slowly, as if preparing herself for whatever words she’s about to unleash. “Because it’s my last chance.”
I stop fidgeting and squeak a nervous laugh. “What do you mean? We can try again on a different day.”
“No, Anya, we can’t. I’m moving.” Lizzie lays her cheek against the fence post. Her blueberry-tipped hair falls from her eyes, exposing the tears now rolling down her cheeks. “My parents are getting a divorce, and they’re both moving back to California. Mom is taking me to my halmeoni’s early while they settle some things here. We’re leaving tomorrow.”
A buzzing sounds between my ears. I could swear she just said she was leaving for her grandma’s house, which is in Irvine, California, and so very far away. “No. You can’t.” The words slip from me before I think them through. “I mean, what?”
If I was writing this story, I’d have Lizzie turn to me and laugh, saying it was a joke, that she said it to see how I’d react, as if my misery would prove to her how much I care. But this isn’t one of my secret stories, and I don’t have the power to change Lizzie’s future, much less my own.
I watch, breathless, as Lizzie’s eyes fill with truthful, heart-wrenching tears. She snuffles and wipes her nose on her jacket’s sleeve. “I know, right? My parents only told me this morning. Apparently, they didn’t want to ‘upset me too soon.’?” She claws out the air quotes, then lets her hands fall to her sides where they swing, defeated. “Like that went over well.”
I didn’t know her parents weren’t happy together. It makes no sense at all—they never fight, are always there for Lizzie and her little sister, and her dad makes pancakes on weekends. From scratch! So why are they getting a divorce and making Lizzie move away? Heat builds behind my eyes. My instinct is to run and hide, to get away from the overwhelming pain of it all. Lizzie will be gone and I will be alone and I’m so, so scared, but I can’t find any words to express my feelings and they all seem too big anyway. I’m afraid if I open my mouth to let them out they will squeeze together into one big, long wail.
But I can’t run from Lizzie—I’ve always run to her whenever I needed her. And right now, she needs me. So I press all these feelings deep inside me, clamping them down where they can’t be seen or heard, and reach for her hand.
Before my fingers graze hers, Lizzie straightens up. “Anya, look!”
I dart a glance at the house, where Lizzie is laser-focused. I’m not sure what she wants me to see, but then I notice the curtain on the front window twitch. Hovering lights glow behind the gauzy fabric. I blink, and the lights disappear.
I back into the shadows of a nearby tree. “Was it her? Did you see her?”
“I saw…” Lizzie blinks. “No, it couldn’t have been, I’m imagining things.” Her phone buzzes. She pulls it from her pocket, and when she reads the screen, her face falls. “Ugh. It’s my mom. I have to get home, like, now.”
She straightens up and hooks her arm through my elbow. “I know this is really sudden. I would have told you earlier but I was so angry, and I hoped my parents would text me to tell me that they changed their minds. I didn’t want to say it aloud and make it true, but I know that I can’t stop it.”
I have no words. They clump together, forming a sticky ball in my throat. What can I say, anyway? No mere words can make this situation any better. Instead, I throw my arms around her and hug her as tightly as I can, wishing I never had to let go.
Lizzie huffs a laugh, then leans her cheek against my forehead. “I’m gonna miss you so much, Anya. I promise, we’ll talk on the phone every night.”
I nod, but my tongue turns to ash. I don’t have my own phone, and there’s no way my parents would let me use one of theirs to talk to Lizzie for any length of time. Deep in my heart I know this is a real goodbye, one that lasts forever. I would do anything to keep her close, but I can’t rewrite this story so we can spend every day together.
“Walk me home, okay?” Gently, Lizzie pulls me along beside her. “I know my mom wants to say goodbye to you too.”
I curl into her, my best friend, my only friend. My friend who is leaving in the morning. I don’t know how I’ll hold myself together, but I know I need to, for Lizzie’s sake. I’ll be a blubbering mess tonight once the lights are out, once I’m alone. I’m always alone whenever Lizzie isn’t around, and even more invisible than usual.
I thought the Curse of Anya had finally been broken, that enough time had passed that my friendship with Lizzie was safe. Oh, I was so wrong. It was just biding its time, waiting for the moment when it would crush me the most.
As we stride away, I look over my shoulder at the witch’s house, squinting against the sun’s glare. For a heartbeat, I swear I see someone peeking out from the curtains.
It’s a girl with ink-dark freckles, and brightly glowing moths surrounding her.
Reading Group Guide
Reading Group Guide
The Underwild #2: Relic of Thieves
By Shana Targosz
About the Book
For her whole life, Anya hasn’t felt loved or cared for, except by her best friend, Lizzie. When Lizzie and her family move away, Anya is devastated. After following a mysterious new classmate home from school, she learns that the girl lives with the witch goddess Hecate and that they have a magical set of keys that can transport a person to anywhere in the world. After Anya steals the keys to visit Lizzie, the two friends embark on an adventure that lands them in the Underworld, where Lizzie is captured by a terrifying beast. Anya soon learns that by stealing Hecate’s keys, she has become a wanted criminal in the realms of the gods. With the help of Senka, the ward of Charon, Anya faces a series of seemingly impossible tasks in order to rescue her friend and avoid being captured by the three Furies, who pursue her to face justice for her crime. Anya must summon the courage she needs to face down some of the most terrifying denizens of the Underwild; otherwise, she and her friends will be punished for eternity.
Discussion Questions
1. At the start of the story, readers learn that Anya is “perfectly happy remaining invisible” and thinks “invisibility means they won’t notice me at all.” (Chapter one) Why does Anya prefer to hide away from people? When she claims to be “perfectly happy,” do you think that’s true? Discuss situations in the story where Anya confronts her habit of hiding from people and situations that scare her or remind her of unpleasant memories. Discuss her realization in chapter thirty-three: “It isn’t worth trying to lose the bad memories if the good ones are stolen along with them.” What does this idea mean to you?
2. Anya considers herself a coward, although throughout the story she faces terrifying Underworld denizens and is placed in predicaments that test her courage. In chapter twenty-one, she confronts the Fury Alecto, demanding, “‘Leave them ALONE!’” How is the defense of another person one of the most noble acts of courage? Why do you think Anya was able to stand up to Alecto with such conviction? After the battle ends, why does Anya feel like her heart is “breaking through iron bars to grow five times bigger”? (Chapter twenty-two)
3. When readers first meet Anya, she is plagued with uncertainty and self-doubt. Over the course of the novel, how does Anya become more decisive? As her decisiveness grows, so does her courage. How are courage and decisiveness related?
4. Anya longs for someone to care for her and be proud of her accomplishments, such as the fictional stories she writes. Why is it so hard for her to believe that people, such as Senka and the Mormo Support Group, truly care about her?
5. Anya explains why she stole Hecate’s keys: “I’m terrified that if I don’t check the keys to see if there’s any truth to what Hecate claimed the keys can do, it would guarantee that I’ll never see Lizzie again.” (Chapter six) Do you think Anya made the right decision to steal the keys? According to the laws of the gods, stealing these keys is a crime that carries a horrible punishment: eternal banishment to Tartarus. Later in the story, Hades asks Zeus, “‘I’d like to know if you believe that all Law-breakers should be punished equally,’” to which Zeus replies, “‘Of course I do!’” (Chapter forty-six) Do you agree with Zeus? Why or why not?
6. Throughout the story, Anya alludes to traumatic family events that cause her to want to run and hide from anything remotely scary or anxiety-provoking, specifically how her brother verbally and physically abuses her. Discuss Anya’s conversation with Hephaestus, the god of craftsmen, in chapter thirty-three. How does the god’s willingness to share his traumatic family experience with his mother help Anya begin to face the pain of her own family situation? Discuss what Hephaestus means by his statement, “‘The terrible truth is, some people take their anger out on those around them. Especially the most vulnerable, who should be protected.’”
7. Senka wants to call on Charon to help them find Lizzie, but Anya refuses, and thinks, “I don’t want anyone else to know how badly I screwed up.” (Chapter nine) Why do you think Anya is so afraid of people knowing that she did something wrong or made a mistake? When you make a mistake, how do you usually handle it or try to make it right? What advice would you give to Anya?
8. Anya finds it difficult and scary to trust people. Discuss how she and Senka build their friendship over the course of the story, and how they learn to trust each other. In what other ways does Anya learn to trust?
9. Anya suffers from low self-esteem, although she is full of empathy. For a young person who feels uncared for, she has deep reservoirs of care for others. Discuss how Anya’s empathy, compassion, and care are revealed in the story.
10. As Senka and Anya forge a friendship, Anya begins to reveal her feelings and anxieties, sometimes inadvertently. When Anya gets upset over not being able to find Lizzie, she is gripped by a panic attack. Senka comforts her and Anya apologizes. Senka replies, “‘Don’t be sorry. You never have to be sorry for what you’re feeling.’” (Chapter sixteen) Put Senka’s remark into your own words. Why is it good advice?
11. Anya puts enormous pressure on herself for fear she will be blamed if she fails or something goes wrong. And despite these feelings, she shows remarkable courage in her efforts to find and rescue Lizzie. How do her actions begin to teach her to be kinder to herself?
12. The Mormo Support Group teaches Anya valuable lessons about what it means to be a family. Scourge says, “‘This is why the Mormo Support Group is so important, because we’re a family bound not by blood, but by something stronger.’” (Chapter twenty-one) What do you think is the “something stronger” Scourge is referring to? What is the “strange warmth” Anya feels when she realizes that she is not alone? (Chapter twenty-six)
13. Discuss why Anya feels personally connected to Hades. When Anya is inside his nightmare, she witnesses a conversation between Hades and his brother, Zeus. Zeus cruelly calls Hades miserable, to which he replies, “‘I am not miserable.’” (Chapter forty) This “lights a spark” within her. Why do you think she feels this way? How does Hades’s story mirror her own?
14. One of the themes in Relic of Thieves is the power of friendship. Discuss the various ways in which friendships grow and blossom over the course of the story, and how Anya learns to love herself by being a good friend and letting others be a friend to her. What does Anya mean when she says to Senka, “‘Your friendship saved me’?” (Chapter thirty-two)
Extension Activities
1. I Purple You. Lizzie wears a lavender heart pin inscribed with the word borahae on her denim jacket, a gift from Anya. In Korean, the word translates to “I purple you,” which is a phrase coined by a popular K-pop star that means “I’ll love you until the end of days.” (Chapter one) Think of a special person in your life. Design a pin that expresses something meaningful that you want to share with that person. It could be a simple word, a short phrase, or a word from a language other than your own, such as amie, the French word for “friend.” Choose a shape and color for your design that complements the word or has a symbolic meaning that relates.
2. D Is for Details. Anya is a writer, a storyteller. Writers pay attention to the world around them, gathering details that bring their stories to life. Spend one day carrying a journal and pen around with you: at home when you begin your day, at school, during after-school hours, and finally when you return home. Record the details of your surroundings. Look carefully, trying to notice the magical in the mundane. Use these recordings to inspire an original story. Be courageous and share your work with a friend, classmate, teacher, or trusted adult.
3. Keeper of the Keys. Anya observes Hecate’s keys up close:
They look like ordinary keys. Well, not like the keys my parents carry—these look older, and each one is a different shape. The first key is gold and has a detailed pattern within its oval head. The second one’s top is shaped like a diamond, and it sparkles like one too. The third key is thick, heavy-looking, and seems to be made of jet-black iron. The fourth key is a deep bronze color with a gear-shaped head, and the fifth key is silver, and looks as delicate as spun sugar. All of them gleam softly, like mirrors beneath starlight. Maybe not so ordinary, after all. (Chapter six)
Choose one of the keys from the description above. Imagine it more fully in your mind’s eye. Make a pencil sketch of the key as you imagine it. Add details if you wish. When you are satisfied with your design, sketch the key once more, but on an 11 x 14-inch sheet of white drawing paper. Use crayons, colored pencils, or watercolor paints to lay in color.
4. P Is for Parthenon. When Anya and Lizzie first land in the Underworld, Anya comments that the space reminds her of “‘old temples in documentaries, like when archaeologists talk about buildings in ancient Greece or something.’” (Chapter eight) Journey back in time to ancient Greece by researching its culture, including the temples and monuments they erected to their gods. To inspire your research, take this kid-friendly tour of Greek architecture: https://www.youtube.com/watch?v=5I0_EUcaU9Q
5. In Living Color. Walk through any major museum’s collection of Greek sculptures, and you’ll witness artistic marvels with at least one thing in common: they are made from white marble. What you learn in the story is that these sculptures were originally painted in vivid color to make them appear more lifelike. Explore this website from the Metropolitan Museum of Art’s exhibition: Chroma: Ancient Sculpture in Color: https://www.metmuseum.org/exhibitions/chroma/visiting-guide. Print out internet images of famous ancient sculptures. Apply color, inspired by the re-creations featured on the MMA website. Which version do you prefer?
Guide created by Colleen Carroll, literacy educator, content creator, children’s book author, and director of curriculum & instruction at an independent school in the New York metropolitan area. Learn more about Colleen at www.colleencarroll.us.
The websites referenced above are provided for informational purposes only and are not intended as an endorsement or promotion of any website. Simon & Schuster is not responsible for the functionality or content of any external website and expressly disclaims all responsibility and liability in connection therewith.
This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit https://www.simonandschuster.net/m/prek12-teachers-librarians/teaching-resources
The Underwild #2: Relic of Thieves
By Shana Targosz
About the Book
For her whole life, Anya hasn’t felt loved or cared for, except by her best friend, Lizzie. When Lizzie and her family move away, Anya is devastated. After following a mysterious new classmate home from school, she learns that the girl lives with the witch goddess Hecate and that they have a magical set of keys that can transport a person to anywhere in the world. After Anya steals the keys to visit Lizzie, the two friends embark on an adventure that lands them in the Underworld, where Lizzie is captured by a terrifying beast. Anya soon learns that by stealing Hecate’s keys, she has become a wanted criminal in the realms of the gods. With the help of Senka, the ward of Charon, Anya faces a series of seemingly impossible tasks in order to rescue her friend and avoid being captured by the three Furies, who pursue her to face justice for her crime. Anya must summon the courage she needs to face down some of the most terrifying denizens of the Underwild; otherwise, she and her friends will be punished for eternity.
Discussion Questions
1. At the start of the story, readers learn that Anya is “perfectly happy remaining invisible” and thinks “invisibility means they won’t notice me at all.” (Chapter one) Why does Anya prefer to hide away from people? When she claims to be “perfectly happy,” do you think that’s true? Discuss situations in the story where Anya confronts her habit of hiding from people and situations that scare her or remind her of unpleasant memories. Discuss her realization in chapter thirty-three: “It isn’t worth trying to lose the bad memories if the good ones are stolen along with them.” What does this idea mean to you?
2. Anya considers herself a coward, although throughout the story she faces terrifying Underworld denizens and is placed in predicaments that test her courage. In chapter twenty-one, she confronts the Fury Alecto, demanding, “‘Leave them ALONE!’” How is the defense of another person one of the most noble acts of courage? Why do you think Anya was able to stand up to Alecto with such conviction? After the battle ends, why does Anya feel like her heart is “breaking through iron bars to grow five times bigger”? (Chapter twenty-two)
3. When readers first meet Anya, she is plagued with uncertainty and self-doubt. Over the course of the novel, how does Anya become more decisive? As her decisiveness grows, so does her courage. How are courage and decisiveness related?
4. Anya longs for someone to care for her and be proud of her accomplishments, such as the fictional stories she writes. Why is it so hard for her to believe that people, such as Senka and the Mormo Support Group, truly care about her?
5. Anya explains why she stole Hecate’s keys: “I’m terrified that if I don’t check the keys to see if there’s any truth to what Hecate claimed the keys can do, it would guarantee that I’ll never see Lizzie again.” (Chapter six) Do you think Anya made the right decision to steal the keys? According to the laws of the gods, stealing these keys is a crime that carries a horrible punishment: eternal banishment to Tartarus. Later in the story, Hades asks Zeus, “‘I’d like to know if you believe that all Law-breakers should be punished equally,’” to which Zeus replies, “‘Of course I do!’” (Chapter forty-six) Do you agree with Zeus? Why or why not?
6. Throughout the story, Anya alludes to traumatic family events that cause her to want to run and hide from anything remotely scary or anxiety-provoking, specifically how her brother verbally and physically abuses her. Discuss Anya’s conversation with Hephaestus, the god of craftsmen, in chapter thirty-three. How does the god’s willingness to share his traumatic family experience with his mother help Anya begin to face the pain of her own family situation? Discuss what Hephaestus means by his statement, “‘The terrible truth is, some people take their anger out on those around them. Especially the most vulnerable, who should be protected.’”
7. Senka wants to call on Charon to help them find Lizzie, but Anya refuses, and thinks, “I don’t want anyone else to know how badly I screwed up.” (Chapter nine) Why do you think Anya is so afraid of people knowing that she did something wrong or made a mistake? When you make a mistake, how do you usually handle it or try to make it right? What advice would you give to Anya?
8. Anya finds it difficult and scary to trust people. Discuss how she and Senka build their friendship over the course of the story, and how they learn to trust each other. In what other ways does Anya learn to trust?
9. Anya suffers from low self-esteem, although she is full of empathy. For a young person who feels uncared for, she has deep reservoirs of care for others. Discuss how Anya’s empathy, compassion, and care are revealed in the story.
10. As Senka and Anya forge a friendship, Anya begins to reveal her feelings and anxieties, sometimes inadvertently. When Anya gets upset over not being able to find Lizzie, she is gripped by a panic attack. Senka comforts her and Anya apologizes. Senka replies, “‘Don’t be sorry. You never have to be sorry for what you’re feeling.’” (Chapter sixteen) Put Senka’s remark into your own words. Why is it good advice?
11. Anya puts enormous pressure on herself for fear she will be blamed if she fails or something goes wrong. And despite these feelings, she shows remarkable courage in her efforts to find and rescue Lizzie. How do her actions begin to teach her to be kinder to herself?
12. The Mormo Support Group teaches Anya valuable lessons about what it means to be a family. Scourge says, “‘This is why the Mormo Support Group is so important, because we’re a family bound not by blood, but by something stronger.’” (Chapter twenty-one) What do you think is the “something stronger” Scourge is referring to? What is the “strange warmth” Anya feels when she realizes that she is not alone? (Chapter twenty-six)
13. Discuss why Anya feels personally connected to Hades. When Anya is inside his nightmare, she witnesses a conversation between Hades and his brother, Zeus. Zeus cruelly calls Hades miserable, to which he replies, “‘I am not miserable.’” (Chapter forty) This “lights a spark” within her. Why do you think she feels this way? How does Hades’s story mirror her own?
14. One of the themes in Relic of Thieves is the power of friendship. Discuss the various ways in which friendships grow and blossom over the course of the story, and how Anya learns to love herself by being a good friend and letting others be a friend to her. What does Anya mean when she says to Senka, “‘Your friendship saved me’?” (Chapter thirty-two)
Extension Activities
1. I Purple You. Lizzie wears a lavender heart pin inscribed with the word borahae on her denim jacket, a gift from Anya. In Korean, the word translates to “I purple you,” which is a phrase coined by a popular K-pop star that means “I’ll love you until the end of days.” (Chapter one) Think of a special person in your life. Design a pin that expresses something meaningful that you want to share with that person. It could be a simple word, a short phrase, or a word from a language other than your own, such as amie, the French word for “friend.” Choose a shape and color for your design that complements the word or has a symbolic meaning that relates.
2. D Is for Details. Anya is a writer, a storyteller. Writers pay attention to the world around them, gathering details that bring their stories to life. Spend one day carrying a journal and pen around with you: at home when you begin your day, at school, during after-school hours, and finally when you return home. Record the details of your surroundings. Look carefully, trying to notice the magical in the mundane. Use these recordings to inspire an original story. Be courageous and share your work with a friend, classmate, teacher, or trusted adult.
3. Keeper of the Keys. Anya observes Hecate’s keys up close:
They look like ordinary keys. Well, not like the keys my parents carry—these look older, and each one is a different shape. The first key is gold and has a detailed pattern within its oval head. The second one’s top is shaped like a diamond, and it sparkles like one too. The third key is thick, heavy-looking, and seems to be made of jet-black iron. The fourth key is a deep bronze color with a gear-shaped head, and the fifth key is silver, and looks as delicate as spun sugar. All of them gleam softly, like mirrors beneath starlight. Maybe not so ordinary, after all. (Chapter six)
Choose one of the keys from the description above. Imagine it more fully in your mind’s eye. Make a pencil sketch of the key as you imagine it. Add details if you wish. When you are satisfied with your design, sketch the key once more, but on an 11 x 14-inch sheet of white drawing paper. Use crayons, colored pencils, or watercolor paints to lay in color.
4. P Is for Parthenon. When Anya and Lizzie first land in the Underworld, Anya comments that the space reminds her of “‘old temples in documentaries, like when archaeologists talk about buildings in ancient Greece or something.’” (Chapter eight) Journey back in time to ancient Greece by researching its culture, including the temples and monuments they erected to their gods. To inspire your research, take this kid-friendly tour of Greek architecture: https://www.youtube.com/watch?v=5I0_EUcaU9Q
5. In Living Color. Walk through any major museum’s collection of Greek sculptures, and you’ll witness artistic marvels with at least one thing in common: they are made from white marble. What you learn in the story is that these sculptures were originally painted in vivid color to make them appear more lifelike. Explore this website from the Metropolitan Museum of Art’s exhibition: Chroma: Ancient Sculpture in Color: https://www.metmuseum.org/exhibitions/chroma/visiting-guide. Print out internet images of famous ancient sculptures. Apply color, inspired by the re-creations featured on the MMA website. Which version do you prefer?
Guide created by Colleen Carroll, literacy educator, content creator, children’s book author, and director of curriculum & instruction at an independent school in the New York metropolitan area. Learn more about Colleen at www.colleencarroll.us.
The websites referenced above are provided for informational purposes only and are not intended as an endorsement or promotion of any website. Simon & Schuster is not responsible for the functionality or content of any external website and expressly disclaims all responsibility and liability in connection therewith.
This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes. For more Simon & Schuster guides and classroom materials, please visit https://www.simonandschuster.net/m/prek12-teachers-librarians/teaching-resources
Product Details
- Publisher: Aladdin (March 24, 2026)
- Length: 464 pages
- ISBN13: 9781665957663
- Ages: 8 - 12
Raves and Reviews
"This is a visually rich and emotionally driven fantasy that will appeal to readers who enjoy mythological worlds, high stakes, and character-focused storytelling."
– –School Library Journal
The stellar sequel returns readers to the same vibrant, unsettling (under)world, but the outsider’s perspective makes it feel fresh. . . . A fantastic follow-up that revels in the gift of found family and the power in taking control of your own story."
–Booklist
"A captivating exploration of found family and healing through Greek mythology."
– –Kirkus, Starred Review
Resources and Downloads
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