The definitive edition of the classic novel of love during wartime, featuring all of the alternate endings: “Fascinating…serves as an artifact of a bygone craft, with handwritten notes and long passages crossed out, giving readers a sense of an author’s process” (The New York Times).

Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.

Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway’s own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author’s son Patrick Hemingway, and a new introduction by the author’s grandson Seán Hemingway, this edition of A Farewell to Arms is truly a celebration.

Reading Group Guide

Reading Group Guide for A Farewell to Arms
Introduction
Ernest Hemingway was born July 21, 1899, in Oak Park, Illinois. After graduation from high school, he moved to Kansas City, Missouri, where he worked briefly for the Kansas City Star. Failing to qualify for the United States Army because of poor eyesight, he enlisted with the American Red Cross to drive ambulances in Italy. He was severely wounded on the Austrian front on July 9, 1918. Following recuperation in a Milan hospital, he returned home and became a freelance writer for the Toronto Star.
In December of 1921, he sailed to France and joined an expatriate community of writers and artists in Paris while continuing to write for the Toronto Star. There his fiction career began in "little magazines" and small presses and led to a volume of short stories, In Our Time (1925). His novels The Sun Also Rises (1926) and A Farewell to Arms (1929) established Hemingway as the most important and influential fiction writer of his generation. His later collections of short stories and For Whom the Bell Tolls (1940) affirmed his extraordinary career while his highly publicized life gave him unrivaled celebrity as a literary figure.
Hemingway became an authority on the subjects of his art: trout fishing, bullfighting, big-game hunting, and deep-sea fishing, and the cultures of the regions in which he set his work -- France, Italy, Spain, Cuba, and Africa.
The Old Man and the Sea (1952) earned him the Pulitzer Prize and was instrumental in his being awarded the Nobel Prize in 1954. Hemingway died in Ketchum, Idaho, on July 2, 1961.
Description
Lieutenant Frederic Henry, an American assigned to a Red Cross ambulance unit in Italy, is severely wounded on the Austrian front and sent to a hospital in Milan, where he falls in love with his English nurse, Catherine Barkley. When he returns to the front, the war goes badly, and Frederic joins a retreat from Caporetto in which he barely escapes execution at the hands of Italian battle police. He deserts the army, returns to Milan, goes on to Stresa, joins now-pregnant Catherine Barkley, and avoids capture by rowing across the lake to Switzerland, where they live an idyllic life until Catherine delivers a still-born child and dies, and Frederic walks back to his hotel in the rain, alone.
Discussion Questions
1. How does the first chapter of A Farewell to Arms set a tone and mood which anticipate subsequent events? Why does the narrator move the reader through a change of seasons from late summer to autumn and on to winter? What are the major images in the chapter, and what is the effect of the understatement in the final sentence (p. 4)?
2. During Lt. Frederic Henry's early visits with Catherine Barkley, Catherine says as they touch each other and speak of love, "This is a rotten game we play, isn't it"? (p. 31). How should one characterize Frederic's early "love" for Catherine? What does the initial stage of their relationship reveal about the effect of the war upon their lives?
3. What perspective regarding love does the priest from Abruzzi provide, and why do officers bait him during meals? Frederic says the priest "had always known what I did not know and what, when I learned it, I was always able to forget. But I did not know that then, although I learned it later" (p. 14). Is Frederic's observation borne out in the novel?
4. Why are the Italian soldiers disillusioned with the war? How is Frederic's leap into the river to escape the battle police a symbolic demarcation in the novel? What extended meaning do we find in his statement, "It was not my show any more..."(p. 232)? Does Catherine represent for Frederic refuge, peace, and "home" in its fullest sense? How?
5. Is A Farewell to Arms "a study in doom," as it has sometimes been called? How is Frederic's recollection of the ants on the burning log relevant to questions about God and faith raised in the novel? What do you believe Frederic has learned, or perhaps become resigned to, in this novel of love and war?

After Reading the Novel
The critic Allen Tate read A Farewell to Arms in Paris in 1929 and called it a masterpiece. Fewer than three months after its publication it had sold 45,000 copies and headed many bestseller lists. Many consider it Hemingway's best novel. You may wish to look at early sketches which inspired portions of A Farewell to Arms, especially the "Miniatures" which introduce Chapters 6 and 7 of In Our Time, or at short stories which evolved from Hemingway's World War I experiences such as "In Another Country" (1927), "Now I Lay Me" (1927), and "A Way You'll Never Be" (1933), all available in The Short Stories of Ernest Hemingway. Since the rise of feminist criticism, much has been written about Hemingway's female characters, especially Catherine Barkley, whom some reject as unflatteringly submissive. There is considerable division over this issue, and the subject is worthy of exploration. A 1957 Hollywood movie version of A Farewell to Arms stars Rock Hudson and Jennifer Jones. A more recent film, loosely based upon Hemingway's war experiences in Italy, starring Chris O'Donnell and Sandra Bullock, is also available.

About The Author

Earl Theisen, 1953

Ernest Hemingway

Ernest Hemingway did more to change the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established Hemingway as one of the greatest literary lights of the twentieth century. His classic novel The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. His life and accomplishments are explored in-depth in the PBS documentary film from Ken Burns and Lynn Novick, Hemingway. Known for his larger-than-life personality and his passions for bullfighting, fishing, and big-game hunting, he died in Ketchum, Idaho on July 2, 1961.

Product Details

Publisher: Scribner (July 8, 2014)
Length: 352 pages
ISBN13: 9781476764528

Raves and Reviews

"Fascinating...serves as an artifact of a bygone craft, with handwritten notes and long passages crossed out, giving readers a sense of an author’s process."

– The New York Times

“A Farewell to Arms” stands, more than 80 years after its first appearance, as a towering ornament of American literature."

– The Washington Times

"This special edition of [Hemingway's] classic World War I novel, first published in 1929, contains several features that illuminate how Hemingway constructed his timeless tale of love and war."

– Minneapolis Star-Tribune

"A Farewell to Arms is a gem....To see Hemingway go from bold pronouncements and overwriting to his signature stripped-down style isn't just instructive, it's practically intrusive (but fun!)"

– NPR.org